New York: American Art Association, 1915. First edition. Soft cover. Auction catalogue, May 7, 1915.  483 lots, several plates.  Covers age-smudged. Chiefly 19th-century works, with some early books and rarities, such as 16th-18th-century manuscripts and Fr. Colonel's 1620 grammar of the Maya language of Yucatan.  The original edition.  No prices..... More

N.p. [probably U.S.]: Unpublished, 1932. Original photographs. Unbound photographs. Two sepia-toned photographs showing nine women posing in 19th-century dress in a formal parlor.  They are grouped differently in each photo.  One is costumed as a man.  "Bartlett Sisters 1932" is written in ink in the lower right of each photo..... More

Garden City, NY: Doubleday, Copyright 1939. d;Aulaire. Later printing [ca. 1950]. Hardcover (printed boards, cloth spine). N.p., many color and black-and-white ills. "lithographed in five colors by the authors." No jacket. Edges shelf-rubbed, old insect damage to back cover. Label of Paul Elder's Books, San Francisco, on rear endpaper. Photos..... More

New York: Grand Central Art Galleries Art Education Association, 1982. First edition. Hardcover. 94p, many ills., including 8 color pls. Important exhibition of this lyrical landscape style, which fell out of favor in the wake of modernism and is now highly valued. Overview by Gerdts, followed by chapters on four..... More

Leipzig: Karl W. Hiersemann, 1927. First edition. Soft cover (dusty, age soiled; spine chipped). 472 entries, 23 line ills. Pages age browned. Blank order form laid in. "A collection of rare and valuable books relating to South and North America from the time of the discovery up to the year..... More

Santa Fe: Museum of New Mexico Press, 1993. Baumann. First edition. Hardcover. 158p, 125 color pls. A beautiful copy of this tribute to a master of the color woodcut, the first book ever on his work. Published to accompany a traveling exhibition. Baumann specialized in landscapes of the Southwest and..... More

1929. Macbeth Gallery. Exhibitions from the Summer Colonies: No. 3 Mystic. NY, Dec. 24, 1929-Jan. 6, 1930. One sheet, folded twice to make 4 panels, printed on one side; 1 ill. Panel size 4 x 8 inches. Good (handling soil, one-inch closed tear to bottom margins). ** Reprises part of..... More

Lambertville, NJ: Arts & Crafts Quarterly Press, 1993. Grueby, William H. First edition. Soft cover. 119p, over 180 ills., 63 in color. Comprehensive study of the quintessential American Arts and Crafts potter, his studio, and his production of vases, tiles, and other ceramic ware. More

Boston: New York Graphic Society for Albright-Knox Art Gallery and Metropolitan Museum of Art, 1975. First edition. Hardcover. 260p, 314 duotone photos printed by Rapoport Printing Co. Jacket spine faded. With an essay by Therese Thau Heyman. Seminal survey of the nature of western landscape and many aspects of its..... More

New York: Grey Art Gallery and Study Center, NYU, 1979. Tiffany. First edition. Soft cover. 64p, ca. 40 ills., several in color. Laid in: sheet of introductory text plus list of decorative objects lent for the exhibition. The first study of Tiffany's relatively unknown paintings--landscapes and city scenes in various..... More

Yonkers, NY: Hudson River Museum, 1976. First edition. Soft cover. 120p, many ills. One of the many exhibitions covering many subjects during the United States Bicentennial, this catalogue focuses on what is American about American theater. Richly illustrated with images of theaters, posters, actors and other personalities, costumes, stage sets..... More

New York: Bernard Danenberg Galleries, 1971. Weber, Max. First edition. Soft cover. 24p, 47 ills. (8 of them full-page color pls.). Elaborately die-cut front cover. Exhibition catalogue of 48 cubist-inspired and abstract gouaches, pastels, watercolors, and drawings of 1909-1917. Can be sent outside the US for less than the default..... More

Peterborough, NH: Creature Prints, n.d. [1980s?]. No stated edition. Postcards. Four postcards by the self-taught outsider artist Stuart H. Williams (1950-2012). From his almost-lifelong New Hampshire home Williams painted colorful pile-ups of animals, with descriptions on the backs of the cards of what they were doing. The pictures here are..... More